Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Anthony Van Dyck 04

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
58904 sir anthony van dyvk Anthony Van Dyck sir anthony van dyvk mk265 queen henrietta maria of england.1632 royal collection.
58993 sir george hayter Anthony Van Dyck sir george hayter mk265 portrat of sophia kiselyova 1831 st petersburg state hermitage musum.
58954 sir henry raeburn,spencer Anthony Van Dyck sir henry raeburn,spencer mk265 second maouess of northampton 1821 privatr collection.
59055 sir john lavery Anthony Van Dyck sir john lavery mk265 spring 1903 paris musee dorsay
31755 Sir John Suckling Anthony Van Dyck Sir John Suckling mk76 Painted between 1632 and 1641 Oil on canvas 85 1/4x511/4in
58900 sir josgua reynolds Anthony Van Dyck sir josgua reynolds mk265 potyrait of captain george k h coussmaker,1782,enw york the metropolitan museum of art,
58987 sir martn archer shee Anthony Van Dyck sir martn archer shee mk265 jane lady munro 1819 london,national portait gallery.
29327 Sir Thomas Chaloner Anthony Van Dyck Sir Thomas Chaloner mk65 Oil on canvas 41x32"
58901 sir thomas gainsborough Anthony Van Dyck sir thomas gainsborough mk265 portrait of the hon. franves duncombe, c 1777, new york the frick collection
58955 sir thomas lawrence Anthony Van Dyck sir thomas lawrence mk265 catherinegray. lady manners 1794 cleveland museum of art
58956 sir thomas lawrence Anthony Van Dyck sir thomas lawrence mk265 elizabeth farren later cautess of derby 1790 new york the museum art
58959 sir thomas lawrence Anthony Van Dyck sir thomas lawrence mk265 airhur atterley 1790-1791 los angeles county museum of art
59070 sir william orpen Anthony Van Dyck sir william orpen mk265 mrs st geoge c 1912 privte collection
1092 Soldier on Horseback Anthony Van Dyck Soldier on Horseback   
96981 St Jerome Anthony Van Dyck St Jerome Oil on canvas Dimensions 215 x 195 cm cyf
21727 St Marrin Dividing his Cloak (mk08) Anthony Van Dyck St Marrin Dividing his Cloak (mk08) C.1618 Oil on panel, 171.6x158cm Zaventem,St Martin
33695 St Martin Dividing his Cloak Anthony Van Dyck St Martin Dividing his Cloak mk86 c.1618 Oil on panel 171.6x158cm Zaventem,St Martin
87548 Studienkopf eines alten Mannes Anthony Van Dyck Studienkopf eines alten Mannes um 1618 Medium Oil on oak panel Dimensions Deutsch: 49,5 x 58 cm cjr
81229 Study of a Bearded Man with Hands Raised Anthony Van Dyck Study of a Bearded Man with Hands Raised oil on canvas painting by Sir Anthony Van Dyck, c. 1616 Date c. 1616 cyf
77914 Study of a Bearded Man with Hands Raised, Anthony Van Dyck Study of a Bearded Man with Hands Raised, Study of a Bearded Man with Hands Raised, oil on canvas painting by Sir Anthony Van Dyck, c. 1616 cjr
21726 Suanna and the Elders (mk08) Anthony Van Dyck Suanna and the Elders (mk08) C.1621/22 Oil on canvas 194X144cm Munich,Bayerische Staats-gemaldesammlungen,Alte Pinakothek
33694 Susanna and the Elders Anthony Van Dyck Susanna and the Elders mk86 c.1621/22 Oil on canvas 194x144cm Munich,Bayerische Staats-gemaldersammlungen,Alte Pinkakothek
20499 Susanna and The Elders (mk03) Anthony Van Dyck Susanna and The Elders (mk03) c.1620-22 Oil on canvas, 76 3/8x56 3/4"(194x144.2cm) Alte Pinakothek, Munich
59105 tamara de lempicka Anthony Van Dyck tamara de lempicka mk265 portrait of his lmperial highness grnd duke gabriel 1927.ptivate collection.
43125 The Balbi Children Anthony Van Dyck The Balbi Children mk170 1625-1627 Oil on canvas 219x151cm
33697 The Count of Arundel and his son Thomans Anthony Van Dyck The Count of Arundel and his son Thomans mk86 1636 Oil on canvas 187x162cm Madrid,Museo del Prado
21729 The Count of Arundel and his son Thonmas (mk08) Anthony Van Dyck The Count of Arundel and his son Thonmas (mk08) 1636 Oil on canvas 187x162cm Madrid,Museo del Prado
31756 The Countess of clanbrassil Anthony Van Dyck The Countess of clanbrassil mk76 Painted probably in 1636 Oil on canvas 83 1/2x50 1/4in
20498 The drunken silenus (mk03) Anthony Van Dyck The drunken silenus (mk03) 1618-20 Oil on canvas,41 3/4x35 5/8"(107x90.5cm) Gemaldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden
20497 The expulsion of adam and eve from the garden of eden (mk03) Anthony Van Dyck The expulsion of adam and eve from the garden of eden (mk03) 1621 Oil on buff paper,laid down, 7x6 3/4"(178x172mm) National Gallery of Canada,Ottawa
45591 The funf senses with landscape Anthony Van Dyck The funf senses with landscape mk186 1638 Strabburg, muse of the Beaux-type
80609 The Lamentation over the Dead Christ Anthony Van Dyck The Lamentation over the Dead Christ Date ca. 1629(1629) Medium Oil on canvas Dimensions 303 x 225 cm (119.3 x 88.6 in) cjr
61254 The more intimate, but still elegant style he developed in England, Anthony Van Dyck The more intimate, but still elegant style he developed in England, The more intimate, but still elegant style he developed in England, ca 1638
39667 The mystic marriage of the Blessed Hermann Foseph with Mary Anthony Van Dyck The mystic marriage of the Blessed Hermann Foseph with Mary mk150 1630 Canvas 160x128cm
28141 The Painter Marten Ryckaert Anthony Van Dyck The Painter Marten Ryckaert mk61 c.1629-1631 Oil on panel 148x113cm
42041 The rest in the flight to Egypt Anthony Van Dyck The rest in the flight to Egypt mk166 1630 I Wave on cloth 134x195cm Galeria Palace Pitti, Florence
28850 The Rest on the Flight into Egypt Anthony Van Dyck The Rest on the Flight into Egypt mk65 Oil on canvas 52 3/4x73 3/4in Pitti,Palatine Gallery
94332 The Rest on The Flight into Egypt Anthony Van Dyck The Rest on The Flight into Egypt circa 1630(1630) Medium oil on canvas Dimensions 135 x 115 cm (53.1 x 45.3 in) cjr
20544 The Virgin and Child with Donors (mk05) Anthony Van Dyck The Virgin and Child with Donors (mk05) Canvas 98 1/2 x 75 1/4''(250 x 191 cm);22 1/2''(57.5 cm)at the top of the picture are a later additi8on Acquired by Louis XIV in 1685
61263 This triple portrait of King Charles I was sent to Rome for Bernini to model a bust on Anthony Van Dyck This triple portrait of King Charles I was sent to Rome for Bernini to model a bust on This triple portrait of King Charles I was sent to Rome for Bernini to model a bust on
59011 thomas eakins Anthony Van Dyck thomas eakins mk265 1900 new york the metropoltan musum of art
58957 thomas phillips geord Anthony Van Dyck thomas phillips geord mk265 6th bayron 1813 oil co canvas 76.5 x 63.9 cm london national portait gallery.
87144 Triumph des Silen Anthony Van Dyck Triumph des Silen 1st third of 17th century Medium Oil on canvas Dimensions Deutsch: 135 x 195 cm cjr
58925 unknown artist Anthony Van Dyck unknown artist mk265 the waltz c 1800 paris musee carnavalrt
59059 valentin serov Anthony Van Dyck valentin serov mk265 portait of count felix sumarokov elston with his dog 1903 st petersburg russian museum.
20555 Venus Asking Vulcan for Arms for Aeneas (mk05) Anthony Van Dyck Venus Asking Vulcan for Arms for Aeneas (mk05) Canvas,86 1/2 x 57''(220 x 145 cm);20''(51 cm)at the top of the picture are a later addition Entered the collection of Louis XIV between 1684 and 1715 INV
59008 william bouguerau Anthony Van Dyck william bouguerau mk265 portrait of aristide boucicaut, 1875.paris bon marche collection.
43126 William Feilding,lst Earl of Denbigh Anthony Van Dyck William Feilding,lst Earl of Denbigh mk170 1633-1634 Oil on canvas 247.5x148.5cm
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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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